Studio-condensatormicrofoon RØDE M5 — bedraad, 20–20000 Hz, 200 Ω, -34 dB, 20×100 mm, zwart

Designed and made in Australia, the RØDE M5 is a compact 1/2" cardioid condenser studio microphone with low self-noise and a full frequency response from 20 to 20,000 Hz. Based on RØDE’s experience with the NT5, this permanently polarized small-diaphragm condenser delivers accurate sound capture for studio recording and live performance. This listing is for a matched pair (M5 PAIR) supplied with WS5 windshields and RM5 stand mounts and a premium foiled certificate verifying that sensitivity variation between the two microphones does not exceed 1 dB.

Advantages

The M5 pair offers consistent sensitivity and tonal matching suitable for stereo recording, with a compact pencil-style body finished in RØDE’s matte ceramic coating for durability and low visual profile. With wired connectivity, lightweight construction (80 g each) and a broad frequency response, the microphones provide clear, accurate reproduction of acoustic instruments, choirs and other sources where a small-diaphragm condenser is required.

Suitable for

• Studio multi-track and stereo recording of acoustic instruments
• Live stage miking for instruments and choirs
• XY and other stereo microphone arrays
• Close miking of acoustic guitar, cymbals, strings and percussion

Key specifications

• Model: RØDE M5 (matched pair, M5 PAIR)
• Transducer: 1/2" cardioid condenser (permanently polarized)
• Frequency response: 20 – 20,000 Hz
• Sensitivity: -34 dB (re 1 V/Pa)
• Connectivity: Wired
• Weight: 80 g (each)
• Dimensions: 20 x 100 mm (microphone); stand mount included (RM5)
• Finish: Matte black ceramic coating
• Accessories: WS5 windshields, RM5 stand mounts, foiled matching certificate

How to use

Mount each M5 microphone in the supplied RM5 stand mount and position at the desired distance and angle from the sound source. For stereo recording, arrange the pair in the chosen stereo configuration (XY, ORTF or spaced pair) and ensure the capsule axes align correctly. Connect the microphones via wired microphone cables to a preamplifier or audio interface providing the appropriate phantom power if required by your system. Adjust gain on the preamp to achieve a clean signal without clipping.

Recommendations

Use the supplied WS5 windshields when recording in environments with air movement or close vocal proximity; keep the matched pair certificate with your equipment for reference when setting up stereo arrays to ensure balanced sensitivity between microphones.